The English Kills Project - http://hyperallergic.com

http://hyperallergic.com/212865/8-artists-to-watch-from-the-2015-bushwick-open-studios/

The English Kills Project (site)

The parameters of art have greatly expanded in the last decade, so that projects like this “socially engaged, bio-art project in the English Kills tributary of Newtown Creek” felt very much at home during the 2015 Bushwick Open Studios. The project draws attention to the extensive waterway that is an integral part of the neighborhood, and highlights the current state of the creek, which is highly polluted and largely inaccessible to the public. The waterway has been consciously hidden and transformed through the years, leaving it all but invisible. The English Kills Project organized a few tables on Johnson Avenue beside the fenced-off parking lot that is the waterway’s man-made terminus. Joining the group for their discussion on the sidewalk immediately demonstrated how inhospitable the site has become. The noise of cars whizzing by on Johnson Avenue made conversation tough, we often had to be careful of the dust and dirt that was being kicked up by passing vehicles, and the impromptu picnic was enough to make you angry when you realized that a once bucolic setting was paved over and sectioned off for corporate use (currently Exxon-Mobil, Amaco, Getty Oil, Texaco, and other major companies have locations on the creek). The artists and activists who were there were interested in not only finding a way to raise awareness about the issue, but also finding ways to change their relationship with the environment through their art. In the midst of the studio-focused celebration, it was a nice reminder about the importance of pubic space. —Hrag Vartanian

TK-21, Nothing But A Symphony-JaeWook Lee

http://www.tk-21.com/Nothing-But-A-Symphony

Nothing But A Symphony is a four-minute-and-twenty-second-long single channel video. The video sees the world as vibrating melodies in unison. The Korean top cellist Jungran Lee plays an invisible cello in concert with jellyfishes, and primary colors, creating a rhythmical harmony of Nature: the cellist, the jellyfishes, and the primary colors appear and re-appear respectively on the timeline of the video, creating a cadence. This arrangement between human and non-human performances levels the subject-object relationship through a non-anthropocentric point of view.